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Jad Fair & Yo La Tengo - Strange But True [Green]
In the '90s, Jad Fair had five favorite bands and songwriters: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub, and Yo La Tengo. It's a good list, sure, but what's most remarkable about it is that, in the course of a dozen years or so, Fair made music with all of them in one form or another.
Jad Fair has been prolific for half a century now, long before the Internet could create a simultaneous and seemingly eternal archive of everything someone with his predilections made. He's been involved in several hundred titles, at least, many of them out-of-print on tiny labels that do not exist anymore. In fact, one of those collaborations that Fair made in the '90s-Strange But True, with Yo La Tengo-has been hard to find, despite it's stateside release on October 20th 1998, by Matador Records.
For the first time, the album is being reissued on vinyl by Joyful Noise and Bar/None. By the time Fair played a party with Yo La Tengo in the mid-'90s, they were all friends, fans, and collaborators, having worked on or released records together. When Fair suggested they all head into the studio, the trio bit.
The result, Strange But True, is as wonderful, varied, and wild as some enormous lawn of native grasses. This collaborative album showcases the aritsts' uncanny range, bringing us back to a time when indie rock was still free to be as weird and unruly as it's makers wanted it to be.
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$8.40Jad Fair & Yo La Tengo - Strange But True [Green]
In the '90s, Jad Fair had five favorite bands and songwriters: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub, and Yo La Tengo. It's a good list, sure, but what's most remarkable about it is that, in the course of a dozen years or so, Fair made music with all of them in one form or another.
Jad Fair has been prolific for half a century now, long before the Internet could create a simultaneous and seemingly eternal archive of everything someone with his predilections made. He's been involved in several hundred titles, at least, many of them out-of-print on tiny labels that do not exist anymore. In fact, one of those collaborations that Fair made in the '90s-Strange But True, with Yo La Tengo-has been hard to find, despite it's stateside release on October 20th 1998, by Matador Records.
For the first time, the album is being reissued on vinyl by Joyful Noise and Bar/None. By the time Fair played a party with Yo La Tengo in the mid-'90s, they were all friends, fans, and collaborators, having worked on or released records together. When Fair suggested they all head into the studio, the trio bit.
The result, Strange But True, is as wonderful, varied, and wild as some enormous lawn of native grasses. This collaborative album showcases the aritsts' uncanny range, bringing us back to a time when indie rock was still free to be as weird and unruly as it's makers wanted it to be.
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In the '90s, Jad Fair had five favorite bands and songwriters: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub, and Yo La Tengo. It's a good list, sure, but what's most remarkable about it is that, in the course of a dozen years or so, Fair made music with all of them in one form or another.
Jad Fair has been prolific for half a century now, long before the Internet could create a simultaneous and seemingly eternal archive of everything someone with his predilections made. He's been involved in several hundred titles, at least, many of them out-of-print on tiny labels that do not exist anymore. In fact, one of those collaborations that Fair made in the '90s-Strange But True, with Yo La Tengo-has been hard to find, despite it's stateside release on October 20th 1998, by Matador Records.
For the first time, the album is being reissued on vinyl by Joyful Noise and Bar/None. By the time Fair played a party with Yo La Tengo in the mid-'90s, they were all friends, fans, and collaborators, having worked on or released records together. When Fair suggested they all head into the studio, the trio bit.
The result, Strange But True, is as wonderful, varied, and wild as some enormous lawn of native grasses. This collaborative album showcases the aritsts' uncanny range, bringing us back to a time when indie rock was still free to be as weird and unruly as it's makers wanted it to be.
