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Tashi Wada - What Is Not Strange? [2LP]
What Is Not Strange? is the first full-length album by Los Angeles-based composer Tashi Wada in over five years, comprising his most far-reaching and impassioned music to date.
Written and recorded over a period that encompassed the death of his father and the birth of his daughter, the album sees Wada reflecting inward to explore broad narratives-being alive, mortality, finding one's place in the world-through new modes of ecstatic, song-based expression.
While the denser forms, stark contrasts, and overt surreality may carry a different weight than Wada's earlier work, which elicited perceptual effects with minimal means, the heart of What Is Not Strange? is still in experimentation and unforeseen outcomes.
Tashi Wada - What Is Not Strange? [2LP]
What Is Not Strange? is the first full-length album by Los Angeles-based composer Tashi Wada in over five years, comprising his most far-reaching and impassioned music to date.
Written and recorded over a period that encompassed the death of his father and the birth of his daughter, the album sees Wada reflecting inward to explore broad narratives-being alive, mortality, finding one's place in the world-through new modes of ecstatic, song-based expression.
While the denser forms, stark contrasts, and overt surreality may carry a different weight than Wada's earlier work, which elicited perceptual effects with minimal means, the heart of What Is Not Strange? is still in experimentation and unforeseen outcomes.
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What Is Not Strange? is the first full-length album by Los Angeles-based composer Tashi Wada in over five years, comprising his most far-reaching and impassioned music to date.
Written and recorded over a period that encompassed the death of his father and the birth of his daughter, the album sees Wada reflecting inward to explore broad narratives-being alive, mortality, finding one's place in the world-through new modes of ecstatic, song-based expression.
While the denser forms, stark contrasts, and overt surreality may carry a different weight than Wada's earlier work, which elicited perceptual effects with minimal means, the heart of What Is Not Strange? is still in experimentation and unforeseen outcomes.
